Creative Cogitation

I am often asked about my fram­ing options-I don’t offer a whole heck of a lot-I usu­ally frame with a white or off-white mat in a nar­row black cor­po­rate style frame. If the work doesn’t need a mat I usu­ally frame with a sim­ple wooden frame hav­ing no fancy fil­lets, coves or bevels.

Peo­ple ask why I don’t frame my very col­or­ful images in black, “After all, the color black makes the col­ors in the paint­ing really pop!” Black is a color and it is an emo­tion­ally charged color at that. I don’t want peo­ple look­ing at my art say­ing “Wow, look at that art in that black mat.” Or “Wow look at that art in that fancy frame.” Peo­ple notice a black mat, a wide black frame or an exces­sively gaudy frame.

Vari­a­tion of mat and frame show­ing how a white mat and a sim­ple frame sets of the art more neu­trally than a black mat & fancy frame do.

I want my art to be the cen­ter of atten­tion. I don’t want peo­ple pay­ing too much atten­tion to the color of the mat and the frame; these things are a vehi­cle for get­ting the paint­ing on the wall and set­ting it off appro­pri­ately, with­out become the star of the show. Mats and frames should be effec­tive, unob­tru­sive, and hope­fully not clash with the fur­ni­ture or the art­work. In my opin­ion the eas­i­est way to accom­plish this mis­sion is with the sim­plest dis­play with the least emo­tion­ally charged col­ors and styles pos­si­ble. I accom­plish this mis­sion with a white mat and and sim­ple frame.

And that is why I don’t paint my art black with a black mat and or fancy frame.  I have lots of art in nice neu­tral frams for sale at my web­site, I hope you will check it out.

Yours in Art

Jake, Artist, AKAJake.com Come Expe­ri­ence the Art!

The artist has fed­er­ally copy­righted all the art­work in this blog. The artist retains all repro­duc­tion and pub­lish­ing copy­rights. You may not copy, re-distribute, imi­tate, derive OR oth­er­wise use these images in any form with­out the explicit writ­ten per­mis­sion of the artist.

In the midst of the Binary Birds series I was con­tacted out of the blue by an artist out of  Florida.  She com­mented on my paint­ing Mother Night, which made me think about it some.  Since I am in the midst of my 100 Paint­ings projects I do not turn down any ideas that feed the muse.  So I revis­ited Mother Night this week­end while I was fin­ish­ing hoot­suite.

Both paint­ings had me in the night mode.  I am noc­tur­nal.  I love the night, the stars, the moon, and the gen­eral qui­etude.  I am mar­ried to a morn­ing per­son, so from about 8 PM to when­ever I decide to rest, I get a big block of unin­ter­rupted time; such a thing is pre­cious to all artists-it allows you to get deep into your zone.

Mother Night’s Embrace, by Jake Beck­man. An abstract dragon unfurls its starry wings, embrac­ing the moon. The neg­a­tive space of the night sky forms the watch­ful eye of Mother Night.

I have been work­ing in a square for­mat for the last cou­ple of paint­ings.  The NYC art show is com­ing up and the max­i­mum dimen­sions of the works allowed are 25 x 25 inches, or other vari­ant, so long as they do not occupy more than 50 x 25 inches.  25 x 25 is an odd size, but 24-inch square can­vases are easy enough to come by. I don’t usu­ally work in  a square for­mat; I pre­fer rec­tan­gu­lar can­vases which lend them­selves bet­ter to apply­ing the golden sec­tion. So I embarked on a new ver­sion of Mother Night work­ing in this alien square for­mat.  After cre­at­ing sev­eral sketches using my Wacom tablet in Pho­to­shop, the image of the dragon cre­at­ing neg­a­tive space in the sky sug­ges­tive of an eye started to emerge.  Once I had that idea, every­thing sort of fell into place.

I think it is a such a cool idea I may have to explore it fur­ther. I love the images of the night, the moon and stars.  I also have an affin­ity for drag­ons and other fly­ing crit­ters as well.  And the idea of using neg­a­tive space in this way also intrigues me some.

Mother Night’s Embrace clearly has noth­ing to do with the Binary Birds, but belongs to another series Abstract Con­cepts, so I have gone off the reser­va­tion for this one paint­ing, and I hope you like it.

If you would like to pur­chase Mother Night’s Embrace, please see its page on my web­site; you can pur­chase it using Pay­pal.  Thanks for stop­ping by.

If you are in the New York City area between Sep­tem­ber 16 and Sep­tem­ber 30, 2010 — you can see Mother Night’s Embrace and a work from the Binary Birds series, hoot­suite, at the Broad­way Gallery, 473 Broad­way in SOHO.  The Gallery is open Mon-Fri 10 AM-6 PM. The artists’ recep­tion is from 3–6 PM Sat­ur­day Sep­tem­ber 25, 2010.  Look­ing for­ward to see­ing you there. 

Jake

Artist, AKAJake.com Come Expe­ri­ence the Art!

The art work in this blog is fed­er­ally copy­righted. All repro­duc­tion and pub­lish­ing copy­rights are retained by the artist. Images are not to be copied, re-distributed, imi­tated, derived OR oth­er­wise used in any form with­out the explicit writ­ten per­mis­sion of the artist.

Ever since I started doing PopCult paint­ings I have wanted to do some­thing inspired by Andy Warhol.  But I have never been one to just copy some­thing.  The germ of the idea behind Social Net­work­ing! came to me as soon as I started doing the Binary Birds, but it did not erupt as a full blown con­cept until this weekend.

Social Net­work­ing! by Jake Beck­man. Four brightly-colored canaries socially net­work form their own squares. The ASCII Binary back­ground reads, “Social Networking!.”

Call to action: Buy Social Net­work­ing.  Mama needs new canvases. 

I looked over some of Andy Warhol’s work, let­ting the vibe flow through me, ana­lyz­ing it in an abstract way. The iconic Andy Warhol image was the Marylin Mon­roe rep­e­ti­tion, there­fore I opted to embrace some part of this con­cept and do a four square Binary Birds paint­ing.  Andy Warhol appears to have loved the color red (so do I), so I decided there would be  a lot of red in the paint­ing. Finally I adopted the out­ra­geous color vari­a­tion that appeared in those images.  Ini­tially I enter­tained the notion of repeat­ing my own icon, the canary, in the boxes, but there the my anal­ogy and Andy’s anal­ogy parted ways.

My tweet­ies rep­re­sent ordi­nary peo­ple, not famous peo­ple who would be rec­og­niz­able at a glance.  My canaries had to be indi­vid­u­als. I departed from absolute repetition.

From there the con­cept moved into the sketch phase.  Warn­ing, some quasi-technical stuff ahead.

 Hav­ing already com­pleted many Binary Birds paint­ings with canaries, I just rounded up 4 of my favorite canary sketches, which had been scanned and saved to my com­puter.  I required an angel-winged fly­ing one of course.  I liked the one where the bird is hang­ing off a ver­ti­cal wall.  For what­ever rea­son I like the one I call the “side­ways singer,” as it looks like an Egypt­ian glyph to me.  Finally I set­tled on a perched canary with a long flow­ing tail for the fourth bird-I kind of like the idea of hav­ing its tail invade the next square.

I moved these into a new Pho­to­shop doc­u­ment and began mess­ing around with the col­ors. If you have sev­eral ele­ments you need to play around with Pho­to­shop is great for that.  Its also superb for color lay­out as well, which is pri­mar­ily how I used it in this instance.  At first I thought I would have four solid boxes, but that turned out to be bor­ing.  I recalled Andy Warhol did a rep­e­ti­tion with a panda bear toy that had lit­tle frames around the image so I tried that.  So the frames are shades of red: Pink, Brick Red and Cad­mium Red.  I opted for red, light blue, yel­low and light green as the col­ors for my vari­a­tions.  The canary in a given square picks up the color of the back­ground in the square counter-clockwise from it, and the eyes, feet and beak pick up the color of the square kitty-corner to it.  I don’t know how Andy Picked is color vari­a­tions, but the idea of using a pat­tern appealed to me-I like to cre­ate pat­terns, it is just the way my brain is wired. In my mind all four images are linked in a closed loop with one another via color.

Mov­ing on to the binary…

The phrase “Social Net­work­ing” has 17 char­ac­ters and 17 is a prime num­ber.  There is no way to break it down into any­thing other than one and sev­en­teen.  I wanted an edge to edge binary pat­tern in the back­ground.  It occurred to me if I added punc­tu­a­tion I would have 18 char­ac­ters times 8 bits per ASCII binary char­ac­ter, or 144 char­ac­ters, which  would form a per­fect 12 x12 square of ones and zeros.  Social Net­work­ing became Social Net­work­ing!

This paint­ing is part of the 100 Paint­ings thing, but I am drop­ping 100 Days part as it was no where near a real­is­tic goal.  Today is Day 52 and I have com­pleted 18 paint­ings.  I accept that life hap­pens and it has been hap­pen­ing to me a lot lately.  At my cur­rent rate of pro­duc­tion it is going to take at least 300 days to do 100 paint­ings.  That’s not to say I can’t crank out a paint­ing a day, I just do not seem to have the time to.  Also one thing I did not fac­tor in is all the post pro­duc­tion work that has to hap­pen.  This week­end I spent an entire day pho­tograph­ing, resiz­ing, label­ing and upload­ing 7 newly fin­ished works.  This morn­ing I have spend the entire time on just one piece.  This exer­cise is teach­ing me a great deal about how much time a sin­gle small­ish paint­ing really takes-for me it is a min­i­mum of three days: Sketch day, paint day, post-production day.  Of course that does NOT take into account any time spent on mar­ket­ing the thing.  Thank good­ness I quit using oil, I’d never fin­ish any­thing.

So those are the real life artist thoughts behind Social Net­work­ing! If you would like more infor­ma­tion about the paint­ing or per­haps would like to buy it, see its page on my web­site.  Thanks for stop­ping by. 

Jake

Artist, AKAJake.com Come Expe­ri­ence the Art!

The art work in this blog is fed­er­ally copy­righted. All repro­duc­tion and pub­lish­ing copy­rights are retained by the artist. Images are not to be copied, re-distributed, imi­tated, derived OR oth­er­wise used in any form with­out the explicit writ­ten per­mis­sion of the artist.

Hang Up by Jake Beck­man. A Yel­low Canary pur­chase atop the tele­phone icon of an “end call” cell phone but­ton. The ASCII Binary arch­ing over the top reads “Hang Up”

So it is day 23 of 100 paint­ings in 100 days.  I have com­pleted 9 paint­ings and I have 9 oth­ers in var­i­ous stages of com­ple­tion.  With a good days work I prob­a­bly can com­plete all of them, but my life is a con­tin­u­ous jug­gling act and I don’t know when I am going to get a moment to paint again in the next sev­eral days.

I came back from my trip to Oak Creek on Day 16.  I painted all day, then packed it in and drove back to Phoenix.  I decided I’d rather start off my short work­week refreshed in the rel­a­tive cool of the Phoenix AZ morn­ing rather than fried from dri­ving back down the hill in the heat.  It was an unevent­ful trip home.  The usual stuff, my day job and all, awaited me.

In the last week I fin­ished Vuvuzela’s, five, zero, Call Me, Hang Up & Do It!, pho­tographed them and got the images up on my web­site.  I still need to reg­is­ter them with my prove­nance ser­vice.  I also blogged about Vuvuzela’s sep­a­rately since it was directly related to the 2010 Soc­cer World Cup, which wrapped up last week too.

Do It! by Jake Beck­man, a yel­low canary angle flies before the “do it” but­ton of a cell phone. The ASCII Binary reads, “Do It!”

I have found time to start 6 new pieces in addi­tion to the three 11x14-inch paint­ings I started in Oak Creek.  The three inspired by my last visit to Oak Creek are ten­ta­tively named www (or web or net I am not sure yet), MySpace and My World.  The 6 new paint­ings are all 6x8 inch ones that will fin­ish out my key pad: six, seven, eight, nine, Hash and Splat! I need to fin­ish paint­ing the Tweet­ies in 7 of these and over­lay the binary.  My World and MySpace are some­what less devel­oped at this point.

As you can see, I am falling behind-I should have 23 com­pleted and only 9 done with 9 more in the works-well short of my goal. And I still have a tax class web­site to prepare, tax class to teach, an artshow in NYC, a mess of art to frame, etc.  I haven’t even pur­chased the frames, nor have I solid­i­fied my travel plans for NYC.  OMG I am so far behind!

Breathe.

This week­end I am going back to Oak Creek canyon.  A fel­low artist JChristi wanted to camp out and I sug­gested Oak Creek as it sim­pli­fies “camp­ing” a lit­tle bit.  But unlike my last trip, this is more or less JChristi’s show, which means I am going to have to work around her sched­ule.  We are sup­posed to leave Fri­day morn­ing.  Since it is a lit­tle after mid­night Thurs­day has just started and I have many things to do before I can leave for Sedona.  I am look­ing for­ward to going back though; it is really hot here in Phoenix (112 at the air­port today, 116 in some parts of the val­ley) and it will be cooler up there.  Also being unplugged does get my cre­ative juices flow­ing.   JChristi told me to “bring my paints” so I am going to, but I am unsure how much paint­ing I will actu­ally get done.

DH is demur­ing about going with again, so our cats will have one of their peo­ple around.

Back to the sub­ject at hand. Maybe 100 paint­ings in 100 days is not a real­is­tic goal given all the other things I have going on in my life — after all I have missed my mark by 61% at this point-not count­ing the par­tially fin­ished pieces.  Embrace the real­ity.  Maybe it will be 100 paint­ings by the end of the year (at this rate-even that is push­ing it).  I don’t know, but I am going to keep at this.

In the mean­time you can cer­tainly check out the paint­ings I have com­pleted on this project, and of course if you’d like to buy one that would be lovely as well.  Enjoy.    two, three, four, five, zero, Vuvuze­las, Call Me, Do It!, Hang Up

Also the cell phone key­pad is approach­ing com­ple­tion and I really think it needs a place to be displayed-in fact I have already laid out the pieces and had a look-see for myself. It’s def­i­nitely com­ing along.  So if you know of any place that might be inter­ested in dis­play­ing it and per­haps sell­ing it, please let me know.  I’ll post the entire work some­where when its done.

Jake

Artist, AKAJake.com Come Expe­ri­ence the Art!

The art work in this blog is fed­er­ally copy­righted. All repro­duc­tion and pub­lish­ing copy­rights are retained by the artist. Images are not to be copied, re-distributed, imi­tated, derived OR oth­er­wise used in any form with­out the explicit writ­ten per­mis­sion of the artist.

Photo of Oak Creek taken by Jake Beck­man on or about July4, 2010. Isn’t it beautiful?

I think I last blogged Day 5–6 of 100 paint­ings in 100 days.  In the­ory we are now at Day 13. So in the­ory I have had 7 more days to work and I con­fess I have not.  Sun­day started with the best of inten­sions, but I didn’t fin­ish any­thing.  Mon­day was back to work day and I car­ried out affairs of my other busi­ness.  Some­time this week DH inter­rupted me with a com­puter repair that sucked up a day & ½.  Wednes­day I did some book­keep­ing and deliv­ered it Thurs­day.  This week I also dealt with get­ting my AC fixed-so paint­ing, which I did do, was squeezed in 30-minute chunks of time wait­ing for this or that to hap­pen.  Another advan­tage of work­ing small-you can actu­ally *do* some­thing with a 30-minute chunk of time. 

Tra­di­tion­ally my friend Mayna, who retired after 20 years in the Marine Corps, and DH would join me on this 4^th of July vaca­tion break; we usu­ally stay a week or more.  Some friends and fam­ily have a dumpy trailer in Oak Creek canyon, with a lovely lit­tle deck hid­den in the trees next to the creek-when I say dumpy I mean it an affec­tion­ate way. It is bet­ter than “lit­er­ally” camp­ing out as there is a gas grill, a gas stove, restroom facil­i­ties and even a shower.  It also is stocked with things like sleep­ing bags, air mat­tresses, lights and lawn chairs.  Basi­cally you need to bring your enter­tain­ment, food, drink, cloth­ing, and shower sup­plies. There’s a coun­try store within walk­ing distance-their prices are high, but you pay for the con­ve­nience of being able to get ice in the wilder­ness. Oth­er­wise Sedona is a short drive away; it has all the usual accou­trements of a town.  

I usu­ally take a bunch of pic­tures, we build a dam to make a swim­ming hole, hike about and I really enjoy being in a place where there is no cell phone ser­vice what so ever. 

So this year Mayna is stick­ing to home as she is out of work and try­ing to con­serve funds.  DH, I dunno-we did dis­cuss com­ing up here-I cleared it with the friends and fam­ily, pur­chased sup­plies, the plan was com­ing together. Then he did the heel-dragging thing all day Fri­day rather than flat out say­ing he didn’t want to come. I ulti­mately decided I needed to get out of town, even if it was by myself, but owing to DH’s pro­cras­ti­na­tion, I showed up here some­time after 9 PM, well after sunset.  

For­tu­nately for me some of those friends were already up here; they fired up the elec­tric­ity and water for the trailer so I didn’t have to find those things in the dark. I really appre­ci­ated them doing that; they are in a dif­fer­ent trailer so they didn’t have to do that, but they did because they knew I would be com­ing. I also remem­bered to bring some pre­cooked chow so when I finally did get sit­u­ated I would have some­thing easy to make and eat. 

Last night I slept under the stars.  When the moon rose some idiot bird started singing wak­ing me up, but I drifted back to sleep until sun­rise when a squir­rel demol­ish a pine cone began throw­ing its orts at me.  The umbrella is up now so that won’t hap­pen anymore.

This is where I slept and painted. A “Deck in the Trees.”

 I did notice when I turned my lap­top detected 4 wire­less net­works includ­ing an unse­cured one. One I rec­og­nize as belong­ing to a per­son who lives up here year round.  I bet if I asked nicely he’d let me use it.  But I don’t want to.  Mostly I do come up here to “unplug” but it is get­ting harder and harder to do.  You prob­a­bly can find an unse­cure net­work on the top Machu Pichu these days.  Any­way, I am ignor­ing those net­works as if they do not exist-hey the sig­nals are “low,” they might cut out on me in the mid­dle of some­thing.   Cur­rently this blog is in a word doc­u­ment to be cut and pasted later.

I brought the com­puter up so I could work on a Spe­cial Enroll­ment Exam Class I am sup­posed to teach in August.  I am respon­si­ble for updat­ing a web­site full of mate­r­ial on all three parts and I teach the sec­tions on depre­ci­a­tion and basis.  So I turned the box on, dragged out the part one mate­ri­als, and find I have absolutely no desire to do it. Instead, I spent a leisurely morn­ing unwinding-made break­fast, drank tea and read half a book, The Tomb of Her­cules, by Andy McDer­mott, which is exactly the delight­ful escapist trash it sounds like.  Finally I am think­ing of doing some­thing con­struc­tive.  I am here in all this reek­ing fresh air and stink­ing nature com­plete with the full com­ple­ment of bugs and other wild­fire so I guess I should get my cre­ative juices flow­ing.  Instead of work­ing on the tax class website, I decided to blog.  And now to paint-maybe. 

A bit later.  I wan­dered down to the creek, Blackberry and Lumix in hand. There is this one tree creek­side which reminds me of a tree ent ala JRR Tolkien. Don’t know how I can turn that into a binary bird.  But three other images did come to me-in the morn­ing as the squir­rel was throw­ing pine cone at me, I noted an abstract pat­tern in the branches of the trees over­head.  It was almost black and white (and blurry because I was not wear­ing my glasses).  The sec­ond image came to me as I watched a sucker swim­ming in a rel­a­tively still part of the creek.  The third image came later as the shad­ows started cross­ing from the West leav­ing a shaft of light weav­ing through the thicket of trees to illu­mi­nate a sin­gle stone.  When I fin­ish them at least one will be posted here.  I don’t know what the ulti­mate ver­sion of these images will be as they are barely drafted at the moment. 

Enjoy­ing the peace of the canyon, being unplugged, and hav­ing a moment to read for the joy of reading. I wish Mayna and DH were here to enjoy it with me.  The weather is gorgeous.

Jake

Artist, AKAJake.com Come Expe­ri­ence the Art!

The art work in this blog is fed­er­ally copy­righted. All repro­duc­tion and pub­lish­ing copy­rights are retained by the artist. Images are not to be copied, re-distributed, imi­tated, derived OR oth­er­wise used in any form with­out the explicit writ­ten per­mis­sion of the artist.